The Black Virgin by David Arthur Walters

 


Table of Contents

The Black Virgin Visits Brooklyn

The Black Virgin in Egypt

Primitive Vestiges and Anal Therapy

I Thought The Immortal Story Was About Me

If It's Brown Put It Down

Interesting Italian Americans I Have Met

I Was A Crack Adding Machine Operator Machines and Me

OMG-D I might be Moses!

On My One-Sided Conversations With Women

Loser

On The Urge To Gratuitous Violence

The Art Deco Man

I Confess To Being An Alien

Don't Quit Your Railroad Job

My Early Inheritance

I Shan't Forget The Holocaust

My Reconciliation of Accounts

I Was A Frustrated Newspaper Columnist

The Repetition Compulsion Of A Successful Loser

Metamorphosis of a Bookworm

God Playing Solitaire

Maya is Real

If I Were A Christian

The Little Hitler in Everyone

Ghoul News


Review


Rather than reacting with standard political or moral outrage, Walters completely subverts the discourse in this unusual book. He uses,  for example, chapters to trace the lineage of the Black Virgin prophecy, connecting it to concepts of feminine liberation, the goddess Isis in Egypt, and ancient fertility rituals. He brilliantly recontextualizes "dung" not as a profane insult, but as a historic symbol of renewal, agriculture, and psychological gold. He contrasts the modern "city fathers" and politicians who reviled the art with ancient cultures that viewed the dung-beetle form of the Sun-god (Khepri) as an emblem of resurrection and creation.

​2. Radical Psychoanalysis and Social Critique

​In "Primitive Vestiges and Anal Therapy," Walters shifts gears into biting social commentary mixed with high-level theory. Bringing in French psychoanalyst Jacques Lacan's famous 1975 lecture equating civilization with excrement, Walters takes a surreal but logical path down the psychology of the "anal stage" of human development.

​He takes a deeply cynical look at modern consumerism, noting that the United States Government and modern institutions treat human worth strictly through the lens of maximizing production and consumption. His writing shines when he uses sharp irony, mapping how a child's psychological evolution from playing with mud to trading digital numbers on credit cards mirrors a society running on what he terms "massive pantheistic idolatry".

​3. The Scribe's Destiny: Bookkeeping vs. Book-Writing

​The tone shifts beautifully in "I Thought The Immortal Story Was About Me," where Walters introduces a poignant, self-deprecating autobiographical thread. Encountering Isak Dinesen’s Anecdotes of Destiny in a cheap book box in South Beach, he finds himself mirrored in the character of Elishama Levinsky, a lonely Jewish bookkeeper.

​Walters reflects candidly on his own career as a bookkeeper and accountant—a practical choice made simply to survive, but one that constantly frustrates his true calling as a writer. He writes:

"I am a frustrated book writer inasmuch as bookkeeping frustrates my utter transition from king’s scribe to scribbling on my own account."

​By analyzing biblical lineages of names, the symbolic nature of clay, and the rigid world of double-entry bookkeeping, Walters transforms his own professional frustrations into an exploration of fate and personal destiny.

​Style and Takeaway

​Walters’ writing style is dense, highly cerebral, and unapologetically erudite. He moves effortlessly from quoting biblical prophets like Isaiah and Jeremiah to analyzing modern political figures like Rudolph Giuliani, all while maintaining a wry, conversational undercurrent.

Final Verdict: This volumn is a compelling read for anyone who enjoys philosophy, counter-cultural art history, and deeply honest personal memoirs. It rewards patient readers who are willing to follow the author down his many intricate, historical side alleys to uncover the larger truths about human nature, modern anxiety, and the quest for identity. 

GEMINI


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